A page from the Eton Choirbook representing a motet by composer John Browne, whose reationship with the fabled school started as a choirboy in the 1460s.
There was an in-joke among English choristers in the late 15th century: “The French sing, Italians shake, Germans wail and the Enlish rejoice” (Galli cantant, Italiae capriant, Germani ululant, Anglici jublilant, in the original Latin).
The national slurs are silly, of course, but it’s pretty much impossible not to reach a state of bliss after listening to a new album featuring seven pieces chosen by English a capella choir Tonus Peregrinus from the Eton Choirbook, one of the rare sources of English sacred music from the closing decades of the 1400s. Continue reading →
Today marks the 150th anniversary of the birth of Claude Debussy, one of Western music’s revolutionaries.
As with the varying styles of Impressionist paintings, the long view represents something defined, but the closer you get, the more his compositions start to fall apart into the individual components that our minds work imperceptibly to piece together into meaningful shapes.
The long view is so sleek and seductive that listeners long ago began taking Debussy’s art for granted.
For 11 straight years, pianist Martha Argerich has assembled her personal dream team of musicians for a festival in Switzerland — captured in an album of highlights.
MARTHA ARGERICH AND FRIENDS Live from Lugano 201 (EMI Classics)
A half-century of musicmaking seems only to have been a warmup for Argentinean pianist Martha Argerich, who continues to wow with the immediacy and love she pours into every note she plays. There is life force in everything she touches. Continue reading →
Those orchestra players lost in the crimson dusk behind Il Divo may look like they’re playing — but it’s highly likely they’re just part of the stage dressing.
Organisers of male popera quartet Il Divo’s current world tour hired the Atlanta Symphony Orchestra for their concert at Encore Park last Sunday — then used pre-recorded tracks as the musicians played in the background. Continue reading →