A page from the Eton Choirbook representing a motet by composer John Browne, whose reationship with the fabled school started as a choirboy in the 1460s.
There was an in-joke among English choristers in the late 15th century: “The French sing, Italians shake, Germans wail and the Enlish rejoice” (Galli cantant, Italiae capriant, Germani ululant, Anglici jublilant, in the original Latin).
The national slurs are silly, of course, but it’s pretty much impossible not to reach a state of bliss after listening to a new album featuring seven pieces chosen by English a capella choir Tonus Peregrinus from the Eton Choirbook, one of the rare sources of English sacred music from the closing decades of the 1400s. Continue reading →
Today marks the 150th anniversary of the birth of Claude Debussy, one of Western music’s revolutionaries.
As with the varying styles of Impressionist paintings, the long view represents something defined, but the closer you get, the more his compositions start to fall apart into the individual components that our minds work imperceptibly to piece together into meaningful shapes.
The long view is so sleek and seductive that listeners long ago began taking Debussy’s art for granted.
Emily Atkinson as Teresa in Volcano Theatre and Classical Music Consort production of A Synonym for Love at the Gladstone Hotel (John Lauener photo).
Take something like an opera, give it something like a staging across four floors of a Victorian hotel, and you either have a treat or a disaster on your hands.
Fortunately for the clever troupe of singers, actors and orchestra musicians having the dramatic time of their lives at the Gladstone Hotel until Aug. 31, their modern English adaptation of George Frideric Handel’s 1707 cantata Clori, Trisi e Fileno, renamed A Synonym for Love, is an unqualified success. Continue reading →
Sainte-Clothilde basilica in Paris inspired César Franck.
The pipe organ has had several lives over its five-century history, the grandest as a symphony orchestra substitute, starting in the second half of the 19th century.
We have a chance to hear a live performance tomorrow of the French composition that heralded this great, golden chapter in the instrument’s history: the Grande pièce symphonique. The 30-minute work will be performed by Simon Walker, one of Toronto’s bright young organ virtuosos, at St James Cathedral, at 1 p.m. Continue reading →
Those orchestra players lost in the crimson dusk behind Il Divo may look like they’re playing — but it’s highly likely they’re just part of the stage dressing.
Organisers of male popera quartet Il Divo’s current world tour hired the Atlanta Symphony Orchestra for their concert at Encore Park last Sunday — then used pre-recorded tracks as the musicians played in the background. Continue reading →
Scott Belluz and Tracy Smith Bessette in Ross Manson and Ashiq Aziz’s A Synonym for Love, adapted from an opera by George Frideric Handel, at the Gladstone Hotel (John Terauds iPhone photo).
The performing arts are an ecosystem where birth and death are forever locked in a passionate tango. The year’s most fascinating operatic gambit — coming to life at the Gladstone Hotel Sunday through Aug. 31 — is a case in point. Continue reading →
The Royal Conservatory of Music today received a $7.5 million grant from the Federal Economic Development Agency for Southern Ontario (FedDev Ontario) to help it sell a joint academic venture with Carnegie Hall in the United States. Continue reading →