For 11 straight years, pianist Martha Argerich has assembled her personal dream team of musicians for a festival in Switzerland — captured in an album of highlights.
MARTHA ARGERICH AND FRIENDS Live from Lugano 201 (EMI Classics)
A half-century of musicmaking seems only to have been a warmup for Argentinean pianist Martha Argerich, who continues to wow with the immediacy and love she pours into every note she plays. There is life force in everything she touches. Continue reading →
Camille Saint-Saëns in his element — on a steamship.
Repeat something enough times with conviction, and people start to believe it, whether it has to do with politics, economics or art.
French composer Camille Saint-Saëns, who bridged the Romantic and Modern eras thanks to an 86-year lifespan, was treated as a relic of a bygone age by his obituarists and university lecturers.
It’s a status that does not square with a legacy of rich craft he left behind, and which deserves a fresh look and listen now that we can have some perspective on the aesthetic steamroller of Modernism. Continue reading →
Frank Bridge completed The Sea at Eastbourne, on the Sussex coast, in July 1911.
Spend a couple of weeks near a large body of water and you’ll likely witness the seductive shimmer of water on a calm sunny day transform into a roiling, heaving monster in a matter of minutes. Anyone whose ankles have ever been suddenly lassoed by an undertow knows that water is a treacherous vacation partner. Continue reading →
Here is music made for the dog days of summer — meditative and melancholy pieces for a shady hammock in the afternoon, tangos for twilight pleasure — from New York City-based pianist Mirian Conti. A native of Argentina, Conti has spent many years championing young pianists as well as the rich store of tuneful music written for her instrument in that country. Continue reading →
This is the first in a weekly look at an indisputably great piece of music not frequently heard in concert. We’re starting with the Piano Quintet in A minor, Op. 84, completed by Edward Elgar in January 1919.
The Nash Ensemble performed this work on Thursday night at Koerner Hall. Following the performance, I heard several people say how much they enjoyed this piece, which they’d never heard before. Continue reading →