Opera review: A clever blend of Baroque and modern in A Synonym for Love at the Gladstone Hotel

Emily Atkinson as Teresa in Volcano Theatre and Classical Music Consort production of A Synonym for Love at the Gladstone Hotel (John Lauener photo).

Take something like an opera, give it something like a staging across four floors of a Victorian hotel, and you either have a treat or a disaster on your hands.

Fortunately for the clever troupe of singers, actors and orchestra musicians having the dramatic time of their lives at the Gladstone Hotel until Aug. 31, their modern English adaptation of George Frideric Handel’s 1707 cantata Clori, Trisi e Fileno, renamed A Synonym for Love, is an unqualified success. Continue reading

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An all-Bach weekend in Stratford for Tafelmusik Baroque Orchestra

Canada’s Daniel Taylor sings with Tafelmusik in Stratford on Sunday afternoon.

This year’s expanded Stratford Summer Music festival includes the local d├ębut of Toronto’s Tafelmusik Baroque Orchestra on Saturday and Sunday at St Andrew’s Church. Continue reading

An operatic synonym for bittersweet at the Gladstone Hotel

Scott Belluz and Tracy Smith Bessette in Ross Manson and Ashiq Aziz’s A Synonym for Love, adapted from an opera by George Frideric Handel, at the Gladstone Hotel (John Terauds iPhone photo).

The performing arts are an ecosystem where birth and death are forever locked in a passionate tango. The year’s most fascinating operatic gambit — coming to life at the Gladstone Hotel Sunday through Aug. 31 — is a case in point. Continue reading

How music speaks to us changes and evolves with each generation

Classical music is way more about the here-and-now than we give it credit for.

Each generation interprets, listens and relates to music a little bit differently, which means that what we worry about today may very well be irrelevant to our great-grandchildren. Continue reading

CD Reviews: Two dashes of passion and finesse from Argentina

New York pianist Mirian Conti (Nan Melville photo).

MIRIAN CONTI
Nostalgias Argentinas (Steinway & Sons)

Here is music made for the dog days of summer — meditative and melancholy pieces for a shady hammock in the afternoon, tangos for twilight pleasure — from New York City-based pianist Mirian Conti. A native of Argentina, Conti has spent many years championing young pianists as well as the rich store of tuneful music written for her instrument in that country. Continue reading

CD Reviews: Bostonians’ Haydn Creation impresses; viola stands out in hands of Sarah-Jane Bradley

BOSTON BAROQUE/PEARLMAN
Joseph Haydn, The Creation (Linn)

Boston Baroque and its founding artistic director Martin Pearlman have done Joseph Haydn (1732-1809) proud in a sparkling new recording of The Creation, one of the masterworks of the oratorio repertoire.

The Viennese composer was so impressed by the oratorios of George Frideric Handel, that he had to write one of his own. The 1798 result, based on the Book of Genesis and John Milton’s Paradise Lost, was an instant hit, its popularity quickly spreading to other parts of Europe. Continue reading

Keyboard works of C.P.E. Bach show how messy rules of interpretation really are

C.P.E. Bach signed a guestbook with a clever little play on the famous family name.

Musicologists, historians and performers like to believe that interpretation is based on pretty clear rules. But when it comes to any music written before Thomas Edison invented his wax cylinder, interpretation is really the product of educated guesswork, sometimes handed down from composer to pupil to pupil to pupil.

But we’ve all played the telephone game, right?

So, back to guesswork. Continue reading