The Canadian Opera Company unveils its 2012-13 season of free concerts at the Richard Bradshaw Amphitheatre

COC Ensemble Studio member Adrian Kramer sang his farewell concert at the Richard Bradshaw Amphitheatre with accompanist Christopher Mokrzewski last May.

The most significant concert presenter in this city outside the Toronto Symphony Orchestra is Nina Draganic, the unheralded doyenne of the Canadian Opera Company’s annual 10-months of free concerts at the Richard Bradshaw Amphitheatre.

The new season kicks off at lunchtime on Sept. 18, with a concert by the COC’s Ensemble Studio and will run its combination of classical, jazz, world and new music, dance and lecture concerts through to the end of June. Continue reading

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Il Divo puts Atlanta Symphony on stage but pipes pre-recorded music to audience

Those orchestra players lost in the crimson dusk behind Il Divo may look like they’re playing — but it’s highly likely they’re just part of the stage dressing.

Organisers of male popera quartet Il Divo’s current world tour hired the Atlanta Symphony Orchestra for their concert at Encore Park last Sunday — then used pre-recorded tracks as the musicians played in the background. Continue reading

Cellist finds vein of lucre in the ugly rock face of free music streaming

People in the music business make such a fuss about streaming and file sharing that we don’t often hear about artists who see free listening as just another sales tool. Continue reading

Cineplex unveils 2012-13 The Met: Live in HD schedule

Cineplex has released the dates of Canadian screenings of performances from the Metropolitan Opera’s 2012-13 season. The tickets go on sale Sept. 4 to the general public. Met Opera members and Cineplex Scene club members get the first picks, on Aug. 22. Continue reading

Flying acrylic discs are history as last of Roy Thomson Hall’s sister buildings unveils acoustic makeover

Melbourne’s 1982 symphony hall has lost its Casavant pipe organ along with Theodore Schultz’s acrylic discs as part of a massive renovation project.

Melbourne, Australia’s Hamer Hall, whose acoustics were engineered by the same guy as Roy Thomson Hall’s, has reopened its doors to a fresh, vibrant new sound. Continue reading

Royal Conservatory of Music receives $7.5 million from Ottawa for U.S. expansion

The Royal Conservatory of Music today received a $7.5 million grant from the Federal Economic Development Agency for Southern Ontario (FedDev Ontario) to help it sell a joint academic venture with Carnegie Hall in the United States. Continue reading

Classical music clings to youthful saviours as Roy Thomson Hall announces 2012-13 season

Venezuelan pianist Gabriela Martinez makes her solo Toronto début at the Glenn Gould Studio on Feb. 22 (Monica Trejo photo).

There isn’t much classical programming any more from Roy Thomson Hall with the demise of its mainstage concert series. But what may be missing in quantity is still there in youthful quality, according to today’s announcement of the 2012-13 season.

The best news is that Roy Thomson Hall continues its advocacy of rising vocal talents with a series of four recitals with piano at the Glenn Gould Studio collectively billed as Canadian Voices. Continue reading