COC Ensemble Studio member Adrian Kramer sang his farewell concert at the Richard Bradshaw Amphitheatre with accompanist Christopher Mokrzewski last May.
The most significant concert presenter in this city outside the Toronto Symphony Orchestra is Nina Draganic, the unheralded doyenne of the Canadian Opera Company’s annual 10-months of free concerts at the Richard Bradshaw Amphitheatre.
The new season kicks off at lunchtime on Sept. 18, with a concert by the COC’s Ensemble Studio and will run its combination of classical, jazz, world and new music, dance and lecture concerts through to the end of June. Continue reading →
Once in a while, stating the obvious can turn on a little lightbulb.
The Pacific Standard (formerly Miller-McCune) reported yesterday that a Dutch psychologist and a team of researchers have concluded that people who see the big picture (specifically in visual art and poetry) make better critics. Continue reading →
New York pianist Simone Dinnerstein performs an all-Bach recital at Stratford Summer Music on the afternoon of Aug. 1 (Lisa-Marie Mazzucco photo).
Last weekend, following a recital in Leipzig, Germany, pianist Simone Dinnerstein was taking a walk around the Thomaskirche, the church forever associated with Johann Sebastian Bach.
“I was standing outside at night, thinking about Bach and being around this square full of modern buildings,” Dinnerstein recalls. “There were a lot of drunken tourists, this kind of nightlife. In the middle, here is Bach’s church and I was thinking about how there’s something extremely funny about the fact that people nowadays obsess about how Bach would have played his own music when you just need to stand in this place and see that absolutely everything has changed. Continue reading →